Showing posts with label Krista Ratcliffe. Show all posts
Showing posts with label Krista Ratcliffe. Show all posts

Thursday, March 03, 2011

Listening: Its Application for Civil Civic Discourse

Introductory Bio


Professor and Department Chair of English at Marquette University in Milwaukee, Wisconsin, Krista Ratcliffe contributes to the CCCC Conversations on Diversity her well-established and award-winning research on the cultural presence and/or absence of women’s voices and on the intersections of gender, race, and whiteness. In Rhetorical Listening: Identification, Gender, Whiteness, which won the 2007 CCCC Outstanding Book Award, Ratcliffe troubles identifications of gender and whiteness to examine how whiteness functions as an “invisible” racial category. She examines the displacement and neglect of a literacy of listening and identifies the potential of rhetorical listening—a stance of openness—for inviting a more complicated notion of identification. She also co-edited Silence and Listening as Rhetorical Arts with Cheryl Glenn (2011). In addition to her writing and research, Ratcliffe became the President-Elect of the Rhetoric Society of America in January, 2010.

Blog Post

In 2007, I gave the keynote speech at the Feminisms and Rhetorics conference in Little Rock, Arkansas. At the time, I thought the talk was too conference-specific to develop beyond that occasion, but I’ve since changed my mind and am currently working on turning it into an article, tentatively titled the same as my speech: “Unwilling to Listen: How Do You Have a Civic Dialogue When Each Side Isn't Civil.”

I’m revisiting this speech because it addresses the following question that I often get about rhetorical listening: “What’s Next?” Sadly, given the Arizona shootings of January 2011, Sarah Palin’s call for radical individualism, President Obama’s subsequent call for more political civility, and the current political protests in Wisconsin, my talk also invokes the questions:


What happens in civic discourse when people are “unwilling to listen”? (hence my article title); and

How Do You Have a Civic Dialogue When Each Side Isn't Civil? (hence my article’s subtitle--and I’d be remiss if I didn’t give a shout out here to the 2007 conference organizer Barb L’Eplattenier who posed these questions to me).

So, I begin by asking, How Do You Have a Civic Dialogue When Each Side Isn't Civil? The most obvious response is: “You can’t.” But if we (and every time we use “we,” we should remember Mary Daly’s pronouncement that pronouns are our most persistent problem when talking across differences) take “You can’t” as a first premise, then a cultural logic unpacks as follows: if we believe we can’t have a civic conversation because each side isn’t civil, then one effect is that we stop trying to talk to each other. A corollary effect is that we become unwilling to listen to each other and to ourselves. Of course, an unwillingness to listen is accompanied by the following rhetorical stances:

(1) Rigidification of Personal Beliefs, which results in a limited space for negotiation between and among people, communities, institutions, and countries.


(2) Personal and Cultural Defeatism.


(3) Personal and Cultural Nihilism.


(4) Personal and Cultural Despair.


(5) War.


I believe that the above cultural logic and its accompanying rhetorical stances dominate the discourse in our country today, driven by individuals’ feelings of isolation within a global economy, driven by the busy-ness of our everyday lives, driven by our fear about the economy, and driven by a politics of fear and power … power and fear. All of this is dysfunction in our discourse… and needs to change.

But let’s pause for a moment. . .

John Schilb has written a book, Rhetorical Refusals, which theorizes moments when we purposely choose not to listen. These moments are different for all of us, depending on our individual identifications. Sometimes these refusals are necessary, psychologically and/or culturally. For example, I’m not going to entertain an outrageous request from my child; nor do I feel compelled to listen to groups, such as the KKK, rehash age-old prejudices. But sometimes these rhetorical refusals are dysfunctional, as in my aforementioned discussion or our current politics of power and fear… and do need to change our rhetoric(s).

So back to the question of my article's subtitle—How Do You Have a Civic Dialogue When Each Side Isn't Civil? If the obvious answer is “you can’t,” then perhaps we should listen to that question differently—(a) redefining terms, (b) redefining cultural logics, and (c) redefining rhetorical stances.

One suggestion is that we could redefine terms by complicating them with feminist theory. For example, one phrase that has haunted civic dialogues is public sphere. That raises the question: what, exactly, is the public sphere? The most famous answer to that question is the Habermas-Lyotard debate, which pits Enlightenment ideals again postmodernism. Yet I believe that this debate may be productively complicated with feminist theories.

For example, Robin Goodman brings a feminist lens to this debate in her book on critical pedagogy entitled World, Class, Women: Global Literatures, Education and Feminism. The book explores how the “shrinking of the public sphere and the rise of globalization influence access to learning, definitions of knowledge, and possibilities of radical feminism.” She opens her book as follows:


In 1938, as Europe was about to lead the world in to a brutal conflagration, Virginia Woolf recognized the urgency for a fundamental educational change. This educational change would necessarily include economic transformation. As well, Woolf understood [in Three Guineas] that without this change, there would be an inevitable spiraling toward escalating militarism and widespread destruction. Today, … Virginia Woolf’s lesson remains unlearned.

In The Return of the Political, Chantal Mouffe identifies another unlearned lesson about the public sphere: the need for civic virtue and collective action. Mouffe claims:

the liberal illusion that harmony could be born from the free play of private interests, and that modern society no longer needs civic virtue, has finally shown itself to be dangerous; it puts in question the very existence of the democratic process . . . . It has generally been admitted that the “liberty of the moderns” consists in the peaceful enjoyment of private independence [; and that] this implies the renunciation of the “liberty of the ancients,” [which is] the active participation in collective power, because this leads to a subordination of the individual to the community.

Although we must be careful not to romanticize past civic spheres where feudalism, slavery, and gender inferiority were accepted, I think Mouffe’s point about contemporary individualism is well taken. In addition, in “Rethinking the Black Public Sphere: An Alternative Vocabulary for Multiple Public Spheres,” Catherine Squires reminds us that the public, or civic, sphere is not only collective but also multiple. She imagines this multiplicity … in ways that escape a naïve identity politics but that foreground power structures and power differentials.

So, if we contemplate the public sphere via Goodman’s education and economic reform, Mouffe’s civic virtue and collective action, and Squires’ multiplicity (and I’m interested in investigating more theories of public sphere that foreground race), THEN . . .

With such a feminist lens, we may be able to redefine cultural logics. When confronted with the question—“How Do You Have a Civic Dialogue When Each Side Isn't Civil?”—we might be able to imagine responses other a than: “You can’t.” Indeed, we might be able to imagine this alternative response: “You keep reframing your ideas in ways that help other sides hear you, and you share that burden because no one person or institution can do it 24/7.”


This response is not particularly new, nor does it ensure success. But it is worth reconsidering because it offers an alternative cultural logic, which unpacks as follows: If you keep alive the idea of reframing your ideas, then you also keep alive the possibility of success. One effect of this alternative cultural logic is that we keep trying to talk with others. A corollary effect is that we may remain willing to listen. An intentional willingness to listen rhetorically is important because hearers assume the possibility of success and a belief in agency and hope.

Beliefpossibilityagency—these tropes are endemic to rhetoric. And hope—that trope is endemic to feminism. So just imagine the potential power that undergirds feminist rhetorics.

Linking the tropes of belief, possibility, agency, and hope has the potential to redefine the following rhetorical stances:


(1) Personal Rigidification can be reimagined not as the inevitable status quo but rather as a point on a continuum . . . with the another point being Personal Openness.


(2) Cultural Rigidification can be seen not as an inevitable status quo but rather as a point on a continuum . . . with another point being Cultural Openness.


(3) Defeatism can give way to Hope.


(4) Nihilism can give way to Hope.


(5) Despair can give way to Hope.


(6) War, please God, can give way to Peace.

Such claims resonate naively in today’s world, don’t they? But perhaps, instead of succumbing to postmodern skepticism, we ought to embrace postmodern possibilities—specifically, the ways that people can redefine tropes, as well as change people’s minds, lives, and worlds.

In the article, I plan to demonstrate this claim by invoking case studies from around the world, where race and gender and nationality and class intersect in the performance of belief, possibility, agency and hope. These case studies serve several purposes: to broaden readers/listeners knowledge of the world, to broaden rhetorical theorists ideas of effective tactics related to rhetorical listening across differences, to demonstrate the importance of analyzing rhetorical tactics, such as rhetorical listening, within particular historical/cultural sites, etc.

But for this blog, I’ll simply conclude by saying that the work toward accomplishing the above rhetorical stances may be never-ending. That fact does not render the work useless. Rather, it makes the work even more imperative. It reminds us [remember Mary Daly’s pronoun pronouncement] of what it means to be human … that is, what it means to be human beings who are all both similar and different.




Thursday, June 12, 2008

Definition Matters: Teaching the Materiality of the Trope Race, Using Barack Obama's, "A More Perfect Union" Speech

Introductory Bio

Professor and Department Chair of English at Marquette University in Milwaukee, Wisconsin, Krista Ratcliffe contributes to the CCCC Conversations on Diversity her well-established and award-winning research on the cultural presence and/or absence of women’s voices and on the intersections of gender, race, and whiteness. In Rhetorical Listening: Identification, Gender, Whiteness, which won the 2007 CCCC Outstanding Book Award, Ratcliffe troubles identifications of gender and whiteness to examine how whiteness functions as an “invisible” racial category. She examines the displacement and neglect of a literacy of listening and identifies the potential of rhetorical listening—a stance of openness—for inviting a more complicated notion of identification. In addition to her contributions through research and teaching, Ratcliffe serves as past president of the Coalition of Women Scholars in the History of Rhetoric and Composition, as a current member of MLA’s Division on Teaching Writing, and of CCCC’s Task Force on Databases.

Blog Entry

I. Race as a Trope
In philosophical and rhetorical studies, Plato tells us that definition matters. Definition is, after all, a crucial step in his dialectic. In critical race studies, Cornel West tells us that race matters. Race Matters is, after all, the title of one of his books. Two key phrases from the previous sentences—definition matters and race matters—each signify in different ways. The slippage (between matters signifying as a noun and verb, between definition and race signifying as adjectives and subjects) demonstrates the communicative facility of language (in all senses of the word facility). Whatever the author’s intent, the possibilities for audience receptions are always multiple. This possibility and dilemma is at the heart of rhetorical studies. Given this multiplicity, it is fair to say that all words function as tropes, i.e., signifying differently to different people in different times and in different places even as cultural logics do offer possibilities for common interpretations.

By that logic, race is a trope.
But that claim sets some people’s teeth on edge.
Why?

There is a fear that, if race is discussed as a trope, then the discussion of race will focus only on language and discourse; by extension, there is a fear that bodies and cultures will be erased, both metaphorically and literally.

Is that fear legitimate?
Yes … sometimes.
But not always.

Does discussing race as the trope race always succeed? Of course not. No rhetorical tactic always succeeds, and success is always measured in terms of degree. Yet given this caveat, I want to relay how I used the tactic of discussing race as race in an undergraduate rhetorical theory course this past spring when we studied Senator Barack Obama’s “A More Perfect Union.”

My purpose here is to invite a discussion of the pro’s and con’s of discussing how the study of tropes, particularly the study of race as race, may be used as an antiracist pedagogical project.

II. The Class and In-Class Activity
First, a bit of context. Last semester in my undergraduate rhetorical theory course, composed mostly of juniors and seniors, the students and I began our study of rhetoric by reading excerpts from Aristotle’s Rhetoric and Virginia Woolf’s A Room of One’s Own, the purpose being to identify definitions and tactics of rhetoric. Then we studied five different units: political rhetorics, cultural rhetorics, literary rhetorics, visual rhetorics, and pedagogical rhetorics.[1] On the last day of class, I asked students to practice listening rhetorically to an excerpt from Senator Obama’s “A More Perfect Union” speech, which we first watched on the web and then read from a printed handout.

The in-class assignment was for students to get into pairs to discuss the first of the following questions:

(1) What are the assumed definitions of race in this speech?
(2) What importance is ascribed to race in this speech (for people/cultures)?
(3) How does whiteness function in this speech?
(4) How useful is this speech for spurring a conversation about race?

My plan was that we could then pull back together as a class to discuss the pairs’ findings on question one and then discuss the other three questions.

The excerpt from Senator Obama’s speech, which we watched and read, is as follows:


This was one of the tasks we set forth at the beginning of this campaign--to
continue the long march of those who came before us, a march for a more just,
more equal, more free, more caring and more prosperous America. I chose to
run for the presidency at this moment in history because I believe deeply that
we cannot solve the challenges of our time unless we solve them together –unless
we perfect our union by understanding that we may have different stories, but we
hold common hopes; that we may not look the same and we may not have come from
the same place, but we all want to move in the same direction—towards a better
future for of children and our grandchildren. This belief comes from my
unyielding faith in the decency and generosity of the American people. But
it also comes from my own American story.

I am the son of a black
man from Kenya and a white woman from Kansas. I was raised with the help of a
white grandfather who survived a Depression to serve in Patton's Army during
World War II and a white grandmother who worked on a bomber assembly line at
Fort Leavenworth while he was overseas. I've gone to some of the best schools in
America and lived in one of the world's poorest nations. I am married to a black
American who carries within her the blood of slaves and slaveowners—an
inheritance we pass on to our two precious daughters. I have brothers,
sisters, nieces, nephews, uncles and cousins, of every race and every hue,
scattered across three continents, and for as long as I live, I will never
forget that in no other country on Earth is my story even
possible.

It's a story that hasn't made me the most conventional
candidate. But it is a story that has seared into my genetic makeup the idea
that this nation is more than the sum of its parts-- that out of many, we are
truly one.

Throughout the first year of this campaign, against all
predictions to the contrary, we saw how hungry the American people were for this
message of unity. Despite the temptation to view my candidacy through a
purely racial lens, we won commanding victories in states with some of the
whitest populations in the country. In South Carolina, where the
Confederate Flag still flies, we built a powerful coalition of African Americans
and white Americans.

This is not to say that race has not been an
issue in the campaign. At various stages in the campaign, some commentators have
deemed me either “too black” or “not black enough.” We saw racial tensions
bubble to the surface during the week before the South Carolina primary. The
press has scoured every exit poll for the latest evidence of racial
polarization, not just in terms of white and black, but black and brown as
well.

And yet, it has only been in the last couple of weeks that
the discussion of race in this campaign has taken a particularly divisive
turn.



As sometimes happens in my teaching, my plan was scrapped because the students and I spent most of the time allotted to this activity discussing just one question: “What are the assumed definitions of race in this speech?” That fact got me to thinking again about the importance of definition.

III. The Class Discussion
Once the pairs had finished their work, I asked students, first, to share passages they had identified where definitions of race were stated or implied and, second, to share what they thought were the assumed definitions of those passages. Students were asked to avoid jumping to conclusions about whether or not they agreed with the definitions; they were simply to define and classify. Here are some of their—and my—responses.

In Senator Obama’s speech, definitions of race are either stated or implied in terms of:

(1) color (“black man,”“white woman” … family “of every race and hue”)
(2) geographic location (“Kenya,” “Kansas” … “three continents”)
(3) historical location (WWII … today)
(4) economic location (Depression, factory … fundraising presidential race)
(5) ancestry (African Americans descended from “slaves and slaveowners,” whites with
no acknowledged African ancestry …Americans of African and white ancestry)
(6) biology (“genetic makeup”)
(7) a story (“in no other country on Earth is my story even possible”)
(8) the only facet of identity (“too black” or “not black enough”)
(9) only one facet of identity (“Despite the temptation to view my candidacy through a
purely racial lens”)
(10) inflections in national symbols (Confederate Flag)
(11) cultural tension (“the press has scoured every exit poll for the latest evidence of racial
polarization” … “it has only been in the last couple of weeks the discussion of race in this
campaign has taken a particularly divisive turn”)
(12) more than a black/white binary opposition (“not just in terms of white and black,
but black and brown as well”)
(13) subordinate to idea-based coalitions (“we built a powerful coalition of African Americans
and white Americans”)
(14) hope (“I believe deeply that we cannot solve the challenges of our time unless we solve
them together”)

Once the students and I identified some of the above definitions, we discussed some implications. We concluded that if six paragraphs can generate so many different definitions of race, then that partly explained why it is so hard to talk about race in the U.S. For example, if Cornel West says “race matters,” assuming #13, and then reader person says, “yes,” assuming #11, then they have just honestly and unknowingly “agreed” on two different things. Disagreements can, likewise, cross definitions.

IV. Pedagogical Implications

This multiplicity of definitions evidences a U.S. racial discourse that (conveniently for the power structure of the status quo) obfuscates communication about race—about how it is inflected by history, economics, ancestry, biology, gender, etc.; about how it is a constructed category (a trope) originally perpetuated in the U.S. via myopic religion and false science to bolster a mostly non-white labor force as well as a mostly white ownership class; and about how it has subsequently had material consequences—both positive and negative—for the bodies and souls of real people, whether marked as “black,”“brown,”“yellow,”“red,”“white” or some combinations thereof. Throughout U.S. history, material bodies have been racially troped and, consequently, racial tropes have been embodied. In this way, tropes work not only so that they have material consequences for real people’s bodies but also so that, in the process of embodiment, they are made material (in common and different ways). And over time and place, this chicken-and-egg cycle continues.

So with this claim, I arrive back where I began. A discussion of race via the trope race begs a discussion not simply of language but of bodies and cultures as well as how all three are implicated in one another in particular ways in particular times and places. And extending this discussion of race to a discussion of whiteness-as-a-racial-category, then the trope of whiteness also begs a discussion not simply of language but of bodies and cultures as well as how all three are implicated in one another in particular ways in particular times and places. Whiteness is not the same thing as a body coded as white. Whiteness is a trope that signifies actions, attitudes, and (yes) certain bodies (that are coded as white). But bodies coded as white may or may not perpetuate actions and attitudes coded as white; likewise, bodies coded as non-white may or may not perpetuate actions and attitudes coded as white. Whiteness is a trope that may be performed by language, bodies, and cultures, either ignorantly or knowingly; and depending on the definitions associated with whiteness at a particular time or place, a performance of whiteness may be racist or anti-racist. The same is true of many other tropes.

Such discussions, I believe, serve pedagogical antiracist projects because they distance students from immediately jumping to personal claims/accusations of blame, guilt, denial, and/or defensiveness that often shut down discussions of race in the U.S. because we too often tend either to be silent or to argue past (not with) one another. Such distance, I believe, slows students down and asks them to listen to how race and whiteness signify structurally within the U.S. Once these structural significations are established as existing (the first level of stasis), then students can move to discussions of naming, valuing, and taking action (the second through fourth levels of stasis), only then coming (without the possibility of denial) to a reflection on race and whiteness in terms of how the structural affects the personal … and how the personal affects the structural.



[1] For a copy of my syllabus, cf. http://www.marquette.edu/english/faculty/ratcliffe.shtml.

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