Introductory Bio
Dr. Maria Montaperto is an assistant professor at Kean University in Union, New Jersey, where she teaches college composition and rhetorical theory courses, and assists in the development and coordination of the composition program, the undergraduate writing option in the major, and the new writing studies master’s program. Her scholarly interests focus on intersections between race theory and composition and rhetoric, particularly how invisible white privilege manifests and functions as a form of racism in higher education. She has regularly presented at CCCC, the Feminism(s) and Rhetoric(s), and miscellaneous local conferences. Her most recent avenue of research takes up issues related to disciplinary and institutional oversights in the implementation of the vision of language equity outlined by the CCCC Students’ Rights to Their Own Language resolution.
Blog Entry
In his blog, Victor Villanueva says he doesn’t really “work with the topic of ‘diversity’” or “care for that word diversity any more than [he] cared for its predecessor, multiculturalism.” Malea Powell says, for her, “diversity isn’t a ‘topic’ at all.” More accurately, ”honoring diversity is a way of life,” something imbedded in her academic work, not added on. I agree the term has its shortcomings, and think it’s important to consider here because the CCCC Committee on Diversity’s plans to use the blog to help “construct a position statement on diversity.” This is an opportunity for us, right? For me, I would call it an opportunity to interrupt an epistemological dilemma in our own discourse, and the implicit pedagogies of that discourse.
Echoing others, I’d say I’m more interested in addressing “equity” than “diversity.” Diversity too easily becomes additive, a side note. Equity, however, is foundational. It is about justice, “fairness,” as Villanueva notes. More than a thing to address, the practice of equity is purpose with form. Scholarship, teaching, service? These are just contexts we inhabit in which we do or do not enact it effectively.
So then, equity.
My research in CompRhet focuses on race theory, and enacting equity in my scholarly work has specifically meant examining how invisible white skin privilege functions as a form of racism in higher education. This research teaches me that identity – racial and otherwise – exists as a complex network of socio-rhetorical constructions bound up in the discursive material events of our lives – it is written, is a kind of literacy. And, if true of racial identity, then logic dictates that racism, as a thread in that complex network of socio-rhetorical constructions, can be equally understood as being written – as a form of literacy. And, where there is literacy, there is always pedagogy.
So, literacies, and pedagogies, of race, of identity – and others, inherently of the same cloth, of racism, of unearned privilege, of cultural dominance? One of the answers to Villanueva’s ever-resounding question about “why nice people abide by not nice things;” A-B-C simple, we’re trained to. Trained, into practices of racism, but more disquieting, trained (myself and others), simultaneously, into practices of ‘not seeing,’ into ignorance of complicity. This is a double-bind in which white supremacy as a hegemonic structure functions on two distinct but recursively self-perpetuatory levels. One involves the deployment of pedagogies and literacies for the maintenance and replication of existing power relations; and another the deployment of what I would characterize as a kind of anti-pedagogy/anti-literacy.
As anti-literacy/pedagogy this is comparable theoretically to laws preventing slaves from reading and writing or being taught to, only this time in a kind of twisted reverse, a system of cultural domination turned in on itself, teaches, itself – imagine, a pedagogy of ignorance. Thus, it seems, to work against this we need to strive toward two ends. First, we need to work very concretely toward a greater understanding and knowledge of the function of pedagogies and literacies of white dominance. Second, to work simultaneously toward a different kind of literacy and another pedagogy, what I imagine as a kind of counter-literacy and a counter-pedagogy.
From my research, I’ve developed a working-principle I call interruption as praxis, a theoretically informed practice-based methodology for exposing, interrogating and disrupting inequitable systems of privilege—racial and otherwise. Firmly rooted in CompRhet, interruption as praxis (IP) is distinctly rhetorical. Tied to interests historically at the center of rhetoric, it is a literacy and a pedagogy. And, it is a process, like both Amy Lee’s composing pedagogies – self-reflection with enactment – and Paulo Freire’s “writing the word and the world” literacy but with pencils pushed into the hands of those least expected to need a lesson in ABCs.
In this respect, IP is as much an approach, as a practice. An approach to practices perhaps – rhetorical, pedagogical, institutional – that offers faculty, administrators, and other key university workers in higher education a framework for digging beneath powerful hegemonic structures and for understanding and working against inequity at a systemic level. But, similar to conventional literacy and pedagogy, there is no simplistic 1-2-3 or paint-by-number set of directions. Rather, again, like rhetoric, it has a purpose within a context, which together determine form.
So then, interruption as praxis.
What, concretely, does this counter-literacy, this counter-pedagogy, look like? How does it work?
A) As noted, IP functions rhetorically, and is a theoretically informed practice-based methodology. Non-linear, it’s a re-read and a re-write.
· I read, years ago now, Ian Marshall and Wendy Ryden in a 3C dialogic essay discuss a writing teacher’s (our) responsibility to speakers of “non-standard” dialects of English. Ryden asks of responsibility to the “standard” speaker, to those future potential employers in the position to hire or not hire someone on the basis of “how they say a word.”
· I still can’t get my mind entirely past the preface of Gloria Anzaldúa’s Borderlands where she asks non-mestizos to meet her – the new mestizas/os – halfway. There are a plethora of similar scholarly requests.
B) As the name denotes, IP is about interruption – is an interruption. It breaks open/into – disrupts – one’s self and others, in multiple contexts, by multiple means. Here. Rhetorically. With form for instance. Syntactically. On the level of word. It interrupts privilege specifically – exposes it, my own and others, questions/interrogates, and disrupts – (blogs,) conversations, classrooms, lives.
· I began, as a doctoral student, to use the term “standardized” English, especially in the presence of English studies professionals. It’s not a term that falls lightly on these ears, or is easily ignored.
· I take it quite literally. Believe with all my heart and mind she meant it that way. At 32, to fulfill my language req, I go to Mexico as a summer exchange student to study Spanish for 7 weeks and live with a Mexican family. Two years later, to save the basics I learned, I give up my TAship, sell nearly everything I own, and go to Vieques, Puerto Rico, to write the dissertation there. I leave six months later (because of interruptions – more kinds and types than there is space here to name), finish my degree in my home state of NJ, and return again for eight months. Hablo mucho español. Aprendí mucho. Mucho más que un idiomas. Señora Anzaldúa, puedo leer todo su libro ahora. Gracias.
C) IP has consequences. Can get dangerous. You may sacrifice personally, and professionally, will make mistakes, for the sake of enacting equity. Done well, it’s often terribly uncomfortable. Aches even.
· I made a point to use it on a social occasion while talking with the chair of the English department, a very shrewd but rather conservative British Literature scholar. The even minor potential consequences for irritating her, even mildly, is not lost on me.
· Lost a byline on a published article. Graduated three months late. Put off the job hunt for a year. Other irretrievable professional and personal opportunities se fueron, todo se fue.
In her blog about teaching “Disability as Diversity,” Margaret Price asks a question at the heart of courses (I think any work) whose objective is greater equity: “How can we get beyond classroom conversations on diversity that adhere to simplistic bumper-sticker nostrums (“Celebrate Diversity!”) and into the more complicated, localized, and sometimes painful conversations that lead to true coalition?” To do just that. To “get beyond . . . diversity” as the conversation. No around the pain. Through it. Identity, meaning, may/will relocate. We’ll get lost. Lose things. Let them go.
Snapshot: A course in IP.
Split-level graduate and undergraduate on the rhetoric of race and ethnicity. “To do this work, is to squirm. If you don’t squirm at least once, you’re probably not doing it right,” I said on the first day.
Even though it’s my first time teaching it, I know the class will be difficult – intellectually, ideologically, emotionally. The course, if I do it right, will be and teach IP.
After-class aftermath.
A progressive-minded white student. A young woman. East coast, Italian American like me. It’s where we are, and where we’re from. A moment of contention. Specifics irrelevant. It’s about race. She saw and heard things she didn’t like. I remind her I warned this would happen. She’s in shock. I watch her whiteness unravel. I let it. She’s angry. “Am I just supposed to let it go?” Trusting in a sense of her I’ve formed, I say, “This isn’t about you, or even anybody else in class. Not any of us.” Something just barely begins to dissolve. Enough to see beneath. Commitments not isolated to race, or limiting concepts of “diversity.” Her interests lie beyond that, rest in an image of equity. I’ve seen her brush through brambles to find this place before, in another course, at another time. I’ll watch her do it again. Tell her, for now, I’ll be here. Not to save her from heartache. But to hold her hand. To try my best, to lead. Stumbling, I recount and remember past and present falls. We’ve only just begun. We’ll/i'll make mistakes.
Another Interruption.
I wonder, if to start, we might consider changing the name of the committee and the position statement (using a different term, means of expression, throughout our literatures). By highlighting it, do we risk perpetuating diversity as supplement and equity as after-thought? How can this statement be (re-)written so as to not unintentionally re-inscribe “the current rhetoric of diversity” of which Asao Inoue writes in response to Villanueva?
Showing posts with label Guest #6. Show all posts
Showing posts with label Guest #6. Show all posts
Friday, October 30, 2009
Thursday, August 07, 2008
Why Do We Really Need the Word, "Diversity"?
Introductory Bio
A long-time anti-racism activist and educator, Frankie Condon is Associate Professor of English and Coordinator of the Writing Center at the University of Nebraska-Lincoln. Prior to her arrival at UNL, Frankie directed writing centers at St. Cloud State University, Siena College, and, as a graduate student, at the State University of New York. Frankie has been involved in anti-racism through networks such as the Dismantling Racism Project in Albany, New York, and the Community Anti-Racism Education Initiative in St. Cloud, Minnesota. She has also led numerous anti-racism workshops for community members and college faculty across the Midwest and is co-facilitator of the International Writing Center Association (IWCA) Special Interest Group on Antiracist Activism. Frankie's recent publications include the co-authored book, The Everyday Writing Center: A Community of Practice, which includes the chapter "Everyday Racism: Anti-Racism Work and Writing Center Practice" (2007) and "Beyond the Known: Writing Centers and the Work of Anti-Racism" in the Writing Center Journal (2007). Recently, Frankie has delivered several keynote addresses on anti-racism, which are part of a larger book project on identity, subjectivity, and the teaching of writing one-with-one.
Blog Entry
“I know, I know. We all hate the word diversity,” says the keynote speaker who is encouraging the group of us gathered for this regional conference to get and stay organized. I lean back. Maybe she’s feeling like the word harangues her, I think. Or maybe she’s just tired of hearing it. Or maybe she’s speaking to its inadequacies. My eyes are still on the podium, but now I’ve left the building. I’m wandering through past-times: my childhood as a white kid in a multi-racial family, all of us stuck in love and rage; my activism with the Dismantling Racism Project back in Albany during graduate school; the Community Anti-Racism Education Initiative I worked with in Minnesota; the years of mourning and fighting and celebrating like mad; all the talking and the writing; all the pointless commiseration and transformative communion of anti-racism work. The word doesn’t do my memory justice.
But no, I don’t hate the word “diversity.” Then again, I don’t try very often to “address diversity” in my teaching, scholarship, and service unless I’m writing something that people will have to vote on or agree to (like giving my writing center more money so we can do work that truly needs to be done).
Diversity is a fast-word. It’s a word that’s all about efficiency. Diversity stands in when saying what we really mean would take too long or when folks would like to feel good, but not be called upon to care too much or to care beyond the demands of professionalism or the bounds of civility. Diversity is the sign on the door of a room filled with boxes, stuffed with crates: lost and found objects, the detritus of institutional initiatives of all sorts: recruit more rural kids – no, wait, more city kids; retain more students of color; produce an articulation agreement with a school in Beijing or Budapest; be accommodating to fundamentalist Christian Republicans. Diversity is the entrance to a room stacked with books from Jossey-Bass that made the rounds of administrative and faculty offices and now, discarded, have found their final resting place; old student papers in response to well-intentioned assignments; “Teach Tolerance” stickers still on their sheets; “Safe Space” signs removed from office and dormitory doors as occupants depart.
Every institution has to have a Diversity Room with a door. It helps with sorting. Where does this idea go? Oh, just inside that door, in the Diversity Room. And you can walk past the door and feel good that it’s there. It’s good for all of us that we work in places with rooms like that, with doors that close. Diversity closes. Diversity encloses.
Okay, so I don’t hate the word. I need it sometimes, I admit. But it’s not a word that drives my teaching, writing or service. That work -- or what drives the work -- gathers at the threshold of the term, “diversity:” the history, the materiality, of lived conditions within, through, and under racism, homophobia, sexism, classism, ableism, ageism, xenophobia, anti-Semitism – these drive the work. Irritatingly, perhaps, I want to change the terms of the question. I want to respond to the question, “How do you address the work of anti-oppression in your scholarship, teaching, and service?”
So much of my work, whether in the classroom, the writing center, my writing, or my services to department and institution seems to me now to have been and still to be wrestling with the social and rhetorical production of indifference and exploring the conditions for individual and collective care. How is it, I wonder, and in whose service is any one of us conscripted to do the labor of remembering and forgetting, contrasting, aligning, identifying, appropriating, lying, composing and belonging? I wonder these things because the cultivated performances and performance limits of comfort, generosity and hospitality among and between those who take on these forms of labor within particular communities of meaning-making and practice produces, I think, an expansive and cultivated everyday sort of indifference -- to oppression.
To teach, write, and serve with these questions and this belief at the heart of my praxis, more than demanding a particular set of practices or a particular content, requires of me a mindscape capable of evolving, of learning, of humility and of playing with care. If creating the conditions in which care rather than indifference is cultivated and valued, I cannot begin with the premise that my students or my colleagues are already or irremediably indifferent. Rather, I am challenged to remember, recognize, and acknowledge the difficult and contested terrain on which all of our subject positions and subjectivities are predicated. I am challenged to sustain a mindfulness of the mutability and partiality of theoretical knowledge in accounting for the lived conditions that produce experiential knowledge – my own and that of my students and colleagues. I have to be persistent in my search for the plentiful coordinating conjunction between us: the me-and, us-and, white-and, straight-and, middle class-and—and so on. I’m searching for the -ands not as an act of artifice and denial but as an active, ongoing acknowledgement of simultaneous materiality and fallaciousness of scripted or socially constructed identities and their associated performances. The -and in teaching, learning, writing, and serving is concomitantly an act of identification and dis-identification, an acknowledgment of the complex ways in which privilege and disenfranchisement, freedom and oppression are distributed, limited, enforced, conditionally offered and liberally withdrawn. The -and is not an attribute nor can it be possessed. The -and is about remembering without denying the memory of others, knowing and coming to know without foreclosing what others know or how others come to know. The -and is about seeing oneself reflected in the gaze of the other, listening to the ways one might be named by the other without believing or insisting that the other is or ought to be you and without pretending to be them. It’s a way of becoming I keep reaching for, missing, and reaching for again. The -and, for me, is an ongoing effort to acknowledge the transitive conditions of identity and to stretch toward transgression of what is given and received in and through identity formation.
I want and I hope I can teach writing in a classroom or a class located in the writing center, be a writer, be a colleague who resists absorbing or appropriating difference and who works and teaches for a “nonviolative relation to the Other” (see Drucilla Cornell, The Philosophy of the Limit, 1992). I want and I hope I can teach, write, be, and become in ways that “test the limits of vision and remembrance,” that “mind the aporia between seeing and knowing ‘everything’ or ‘nothing’” (Kyo Maclear, “The Limits of Vision: Hiroshima Mon Amour and the Subversion of Representation,” Routledge 2003). I want and I hope I can teach, write, and serve toward a just and ethical community in which hope coexists with and, indeed, depends upon questioning, reflection, the recognition of contradiction, the acknowledgement of complicity, mourning, celebration, and the embrace of wonderment. But to address any or all of these pedagogical goals (or life goals), I have to (and I’m always learning this the hard way) teach with a pressing recognition of the inherent impossibility of accomplishing them (at least in any measurable sense such that they could be checked off the individual or institutional to-do list). So really the goal is not finality, not winning by individually being the one who finally embodies and enacts a perfected anti-oppressive stance and successfully performs that finitude in any professional setting, but to teach, write, serve, or play such that the learning attending these goals continues and such that the work can also continue.
I really don’t hate the word, “diversity.” And I’m pragmatic enough, I guess, to think that institutions and organizations really do need the word. We – that’s the institutional “we” as opposed to the collective “we compositionists” or “we teachers” or we activists” – we need the word “diversity” and we need statements of principle about “diversity” because the word enables otherwise lumbering, somnambulant institutions to move, to shift even if just a little bit. We need the word because some significant number of our stakeholders are doing risky justice work in service of real need; we need the word to give them protection and legitimacy – to give them cover. We need the word because however facile we may find its typical deployment “diversity” continues to assert the importance of justice. The word whispers the names of those conditions it is so often now used to conceal or efface: racism, homophobia, sexism, classism, ableism, ageism, xenophobia, anti-Semitism. And in that whisper “diversity” acknowledges the reality that they are with us, that we are with them, that we do them and that there is, therefore work to be done.
A long-time anti-racism activist and educator, Frankie Condon is Associate Professor of English and Coordinator of the Writing Center at the University of Nebraska-Lincoln. Prior to her arrival at UNL, Frankie directed writing centers at St. Cloud State University, Siena College, and, as a graduate student, at the State University of New York. Frankie has been involved in anti-racism through networks such as the Dismantling Racism Project in Albany, New York, and the Community Anti-Racism Education Initiative in St. Cloud, Minnesota. She has also led numerous anti-racism workshops for community members and college faculty across the Midwest and is co-facilitator of the International Writing Center Association (IWCA) Special Interest Group on Antiracist Activism. Frankie's recent publications include the co-authored book, The Everyday Writing Center: A Community of Practice, which includes the chapter "Everyday Racism: Anti-Racism Work and Writing Center Practice" (2007) and "Beyond the Known: Writing Centers and the Work of Anti-Racism" in the Writing Center Journal (2007). Recently, Frankie has delivered several keynote addresses on anti-racism, which are part of a larger book project on identity, subjectivity, and the teaching of writing one-with-one.
Blog Entry
“I know, I know. We all hate the word diversity,” says the keynote speaker who is encouraging the group of us gathered for this regional conference to get and stay organized. I lean back. Maybe she’s feeling like the word harangues her, I think. Or maybe she’s just tired of hearing it. Or maybe she’s speaking to its inadequacies. My eyes are still on the podium, but now I’ve left the building. I’m wandering through past-times: my childhood as a white kid in a multi-racial family, all of us stuck in love and rage; my activism with the Dismantling Racism Project back in Albany during graduate school; the Community Anti-Racism Education Initiative I worked with in Minnesota; the years of mourning and fighting and celebrating like mad; all the talking and the writing; all the pointless commiseration and transformative communion of anti-racism work. The word doesn’t do my memory justice.
But no, I don’t hate the word “diversity.” Then again, I don’t try very often to “address diversity” in my teaching, scholarship, and service unless I’m writing something that people will have to vote on or agree to (like giving my writing center more money so we can do work that truly needs to be done).
Diversity is a fast-word. It’s a word that’s all about efficiency. Diversity stands in when saying what we really mean would take too long or when folks would like to feel good, but not be called upon to care too much or to care beyond the demands of professionalism or the bounds of civility. Diversity is the sign on the door of a room filled with boxes, stuffed with crates: lost and found objects, the detritus of institutional initiatives of all sorts: recruit more rural kids – no, wait, more city kids; retain more students of color; produce an articulation agreement with a school in Beijing or Budapest; be accommodating to fundamentalist Christian Republicans. Diversity is the entrance to a room stacked with books from Jossey-Bass that made the rounds of administrative and faculty offices and now, discarded, have found their final resting place; old student papers in response to well-intentioned assignments; “Teach Tolerance” stickers still on their sheets; “Safe Space” signs removed from office and dormitory doors as occupants depart.
Every institution has to have a Diversity Room with a door. It helps with sorting. Where does this idea go? Oh, just inside that door, in the Diversity Room. And you can walk past the door and feel good that it’s there. It’s good for all of us that we work in places with rooms like that, with doors that close. Diversity closes. Diversity encloses.
Okay, so I don’t hate the word. I need it sometimes, I admit. But it’s not a word that drives my teaching, writing or service. That work -- or what drives the work -- gathers at the threshold of the term, “diversity:” the history, the materiality, of lived conditions within, through, and under racism, homophobia, sexism, classism, ableism, ageism, xenophobia, anti-Semitism – these drive the work. Irritatingly, perhaps, I want to change the terms of the question. I want to respond to the question, “How do you address the work of anti-oppression in your scholarship, teaching, and service?”
So much of my work, whether in the classroom, the writing center, my writing, or my services to department and institution seems to me now to have been and still to be wrestling with the social and rhetorical production of indifference and exploring the conditions for individual and collective care. How is it, I wonder, and in whose service is any one of us conscripted to do the labor of remembering and forgetting, contrasting, aligning, identifying, appropriating, lying, composing and belonging? I wonder these things because the cultivated performances and performance limits of comfort, generosity and hospitality among and between those who take on these forms of labor within particular communities of meaning-making and practice produces, I think, an expansive and cultivated everyday sort of indifference -- to oppression.
To teach, write, and serve with these questions and this belief at the heart of my praxis, more than demanding a particular set of practices or a particular content, requires of me a mindscape capable of evolving, of learning, of humility and of playing with care. If creating the conditions in which care rather than indifference is cultivated and valued, I cannot begin with the premise that my students or my colleagues are already or irremediably indifferent. Rather, I am challenged to remember, recognize, and acknowledge the difficult and contested terrain on which all of our subject positions and subjectivities are predicated. I am challenged to sustain a mindfulness of the mutability and partiality of theoretical knowledge in accounting for the lived conditions that produce experiential knowledge – my own and that of my students and colleagues. I have to be persistent in my search for the plentiful coordinating conjunction between us: the me-and, us-and, white-and, straight-and, middle class-and—and so on. I’m searching for the -ands not as an act of artifice and denial but as an active, ongoing acknowledgement of simultaneous materiality and fallaciousness of scripted or socially constructed identities and their associated performances. The -and in teaching, learning, writing, and serving is concomitantly an act of identification and dis-identification, an acknowledgment of the complex ways in which privilege and disenfranchisement, freedom and oppression are distributed, limited, enforced, conditionally offered and liberally withdrawn. The -and is not an attribute nor can it be possessed. The -and is about remembering without denying the memory of others, knowing and coming to know without foreclosing what others know or how others come to know. The -and is about seeing oneself reflected in the gaze of the other, listening to the ways one might be named by the other without believing or insisting that the other is or ought to be you and without pretending to be them. It’s a way of becoming I keep reaching for, missing, and reaching for again. The -and, for me, is an ongoing effort to acknowledge the transitive conditions of identity and to stretch toward transgression of what is given and received in and through identity formation.
I want and I hope I can teach writing in a classroom or a class located in the writing center, be a writer, be a colleague who resists absorbing or appropriating difference and who works and teaches for a “nonviolative relation to the Other” (see Drucilla Cornell, The Philosophy of the Limit, 1992). I want and I hope I can teach, write, be, and become in ways that “test the limits of vision and remembrance,” that “mind the aporia between seeing and knowing ‘everything’ or ‘nothing’” (Kyo Maclear, “The Limits of Vision: Hiroshima Mon Amour and the Subversion of Representation,” Routledge 2003). I want and I hope I can teach, write, and serve toward a just and ethical community in which hope coexists with and, indeed, depends upon questioning, reflection, the recognition of contradiction, the acknowledgement of complicity, mourning, celebration, and the embrace of wonderment. But to address any or all of these pedagogical goals (or life goals), I have to (and I’m always learning this the hard way) teach with a pressing recognition of the inherent impossibility of accomplishing them (at least in any measurable sense such that they could be checked off the individual or institutional to-do list). So really the goal is not finality, not winning by individually being the one who finally embodies and enacts a perfected anti-oppressive stance and successfully performs that finitude in any professional setting, but to teach, write, serve, or play such that the learning attending these goals continues and such that the work can also continue.
I really don’t hate the word, “diversity.” And I’m pragmatic enough, I guess, to think that institutions and organizations really do need the word. We – that’s the institutional “we” as opposed to the collective “we compositionists” or “we teachers” or we activists” – we need the word “diversity” and we need statements of principle about “diversity” because the word enables otherwise lumbering, somnambulant institutions to move, to shift even if just a little bit. We need the word because some significant number of our stakeholders are doing risky justice work in service of real need; we need the word to give them protection and legitimacy – to give them cover. We need the word because however facile we may find its typical deployment “diversity” continues to assert the importance of justice. The word whispers the names of those conditions it is so often now used to conceal or efface: racism, homophobia, sexism, classism, ableism, ageism, xenophobia, anti-Semitism. And in that whisper “diversity” acknowledges the reality that they are with us, that we are with them, that we do them and that there is, therefore work to be done.
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